When Moonbeams and Twilight Embrace, 22” x 28”, watercolor and gouache

 Artist Statement

Most artists are somewhat reluctant to talk about their work and even more reluctant to talk about themselves. I’m no exception. I think the reason for this is because, whether or not we artists like to admit it, each of our works exposes at least some part of us to the world. Our conflicts, our concerns, and even our most private fears sometimes find their way onto the canvas. Fortunately, for most of us, the urge to create outweighs the urge toward the safety of privacy. Furthermore, we as artists, don’t always know just how much of ourselves we’re parading before the world. And even for the bravest among us, that can be a frightening proposition. Therefore, it isn’t uncommon that the viewer of a work sees it far differently than does the artist that created it. 

Dorothy Likes Lavender Poppies, 16” x 20”, watercolor and gouache

One of my life-long conflicts has been between idealism and realism. Having grown up in a small New England town that was isolated from much of the real world, I became involved in the arts and grew up with my eyes on art rather than on life. When I wasn't dancing, I was painting. And at other times I played in the woods and streams around my rural home. By the time I reached college I became involved in the social services—working with the mentally retarded, institutionalized mentally ill, old persons in nursing homes and the like. I discovered sexism, racism, ageism, poverty, pollution, and a host of other unfortunate realities. Well, I must tell you, I found out the meaning of the phrase “rude awakening.” The idealism that had grown from my preoccupation with art got broadsided by the realism of life, a realism for which I was virtually unprepared.

Often my paintings and monoprints attempt to depict the dilemma of conscience, the shock, and confusion we each experience upon being confronted with life’s incongruities and conflicts that just don’t make sense. Frequently I use the innocence and lightness of nature or the human form as a contrast to certain stark realities. Other times I use satire to address the human condition. I believe a bit of humorous observation often provides a path toward self-awareness.